Q. Every time I try to open a full text pdf, they are opening in Adobe Illustrator instead of Acrobat
here's the last I tried to open.
iming Perception in Paintings and Sculptures of Edgar Degas.
Authors:
Nather, Francisco Carlos1
Bueno, José Lino Oliveira2
Source:
KronoScope. Jan2012, Vol. 12 Issue 1, p16-30. 15p.
Document Type:
Article
Subject Terms:
*PICTORIALISM (Photography movement)
*IMPRESSIONIST artists
*SPACE & time
*TIME & art
*PAINTING
*TIME perception
Author-Supplied Keywords:
Degas
movement
subjective time
Timing
visual arts
People:
DEGAS, Edgar, 1834-1917
Abstract:
Abstract The impressionist artist Edgar Degas (1834-1917) is widely known for his artistic production dedicated to the representation of movement. Degas has done a careful study, realistically depicting the movement both in his paintings of scenes of horses, women bathing and dancing, and in his sculptures of dancers in various positions of classical ballet. Since movements exist only at the intersection space-time, and visual works of art exist only in physical spaces defined by the works themselves, this article discusses the perception of time in the work of Degas. Therefore, this paper emphasizes aspects of the representation of movement used by the artist and the implied relations of these aspects with the perception of time. The timing perception is addressed according to studies that revealed components of the subjective perception of time related to a meeting of an observer with a work of visual art (aesthetic episode). [ABSTRACT FROM AUTHOR]
Copyright of KronoScope is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Author Affiliations:
1Email: f.nather@hotmail.com, URL: http://www.w3.org/1999/xlink
2Email: jldobuen@ffclrp.usp.br, URL: http://www.w3.org/1999/xlink
ISSN:
1567-715X
DOI:
10.1163/156852412X631628
Accession Number:
73821635
Publisher Logo:
iming Perception in Paintings and Sculptures of Edgar Degas.
Authors:
Nather, Francisco Carlos1
Bueno, José Lino Oliveira2
Source:
KronoScope. Jan2012, Vol. 12 Issue 1, p16-30. 15p.
Document Type:
Article
Subject Terms:
*PICTORIALISM (Photography movement)
*IMPRESSIONIST artists
*SPACE & time
*TIME & art
*PAINTING
*TIME perception
Author-Supplied Keywords:
Degas
movement
subjective time
Timing
visual arts
People:
DEGAS, Edgar, 1834-1917
Abstract:
Abstract The impressionist artist Edgar Degas (1834-1917) is widely known for his artistic production dedicated to the representation of movement. Degas has done a careful study, realistically depicting the movement both in his paintings of scenes of horses, women bathing and dancing, and in his sculptures of dancers in various positions of classical ballet. Since movements exist only at the intersection space-time, and visual works of art exist only in physical spaces defined by the works themselves, this article discusses the perception of time in the work of Degas. Therefore, this paper emphasizes aspects of the representation of movement used by the artist and the implied relations of these aspects with the perception of time. The timing perception is addressed according to studies that revealed components of the subjective perception of time related to a meeting of an observer with a work of visual art (aesthetic episode). [ABSTRACT FROM AUTHOR]
Copyright of KronoScope is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Author Affiliations:
1Email: f.nather@hotmail.com, URL: http://www.w3.org/1999/xlink
2Email: jldobuen@ffclrp.usp.br, URL: http://www.w3.org/1999/xlink
ISSN:
1567-715X
DOI:
10.1163/156852412X631628
Accession Number:
73821635
Publisher Logo: